Text: Song of Solomon 3:9–10

The Song of Solomon intricately weaves the narrative of Jesus’ mission to disseminate the gospel, employing the rich tapestry of allegorical language that unveils the King’s construction of a chariot. Within this allegory, several profound points emerge, casting light on the work of Christ.

King Solomon, the author of this composition, bears striking parallels to Christ. Despite his descent into grievous transgressions, Solomon’s salvation echoes the redemptive narrative. His name, meaning ‘peace,’ and his alternate name, Jedidiah, translating to ‘beloved of the Lord,’ mirror Christ’s identity as the beloved Son in whom the Father finds delight.

Upon her visit to Solomon’s realm, the Queen of Sheba was captivated by specific facets of his domain, notably the ascent leading to the house of the Lord. This trajectory mirrors Jesus’ own journey from Gethsemane to Gabbatha, culminating at Golgotha and the tomb—an ascent laden with profound spiritual implications.

Solomon’s construction of a chariot from the wood of Lebanon assumes prominence. The temple itself was fashioned from the cedars of Lebanon, symbolising the eternal endurance of the Word. This fragrant wood encapsulates the enduring message of the gospel, which carries the aroma of divine truth. The chariot itself represents the gospel, fortified by the unyielding foundation of God’s Word. Its lining of purple symbolises the regality inherent to Christ—a sovereign and divine essence.